Melancholy
Just stick it there on a page, watch it grow roots to swamp the paper and the book, the shelf and the room. Left to its own devices, it can eat you alive with a beautiful detachment.
Melancholy does not have a price-tag, nor does it come with a prescribed negativity. It’s rather misrepresented, like the Mort card of the Tarot, or the Devil – these are seen as the “blights”, the dark cards to draw, with their connotations of the beyond and the unknown. It’s the Tower you’ve got to watch out for. The Chaos card. Therein lies the real unknown, because it deals with changing situations and circumstances – the universe with its boot up your arse, kicking you out the window, falling to the ground. This can be a token of goodwill on Fate’s part, if you believe in that stuff – a caution to those procrastinators who believe all is well, in stasis. But that upheaval, the rending of roots, can be the loss of everything you stood (and stand still) for. The cutting of your rose garden.
Mine are only ever the blue.
Melancholy, as I experience it, comes with the heads of ripe wheat and old brass sunlight; the flecks in a jaded blue eye. It comes in the sweetly curved smile of birdsong, in the latest and earliest hours of day, when the air’s no longer a freshness of green – it’s the parched throat of a papyrus scroll.
Yellow grass crackles underfoot; baked clay is split right through, so it seems you might look into the heart of the world and find it darker than you supposed. An old, hot wind draws those birds onto the wire, whispering that it’s about time they lost those few pounds of flesh and made ready for the long haul flight.
No extra luggage, please, we’re going away.
But you can’t come with us. This is for your own good, for you to stay, while others leave.
There are the drifting, dancing fairy-puffs known as Rosebay Willowherb; the bristling green shells we knew as Bombyknockers. when we were kids. Here and gone, and it’s sparks on the wind now – a fractious thing, full of rain, soon to be snow.
Melancholy, your true name is Autumn, and I forgive you for coming around so soon. This year has been hard where the last was bland, and the one before exceptional. I craved change and oh, petty fool, I got it. There was no reprisal, I never got the chance to better explain myself to him. Still. That was then; this is now.
Somehow, I think the bird on the wire has more chance.
I relish this time of year, for its sweetness as bitter as almond paste. The glowing colours die in the heart of the morning, when mist is a silverspun wreath, framing your lashes and hair. Each silver droplet is a second on my clock. Soon there will be the breakdown, the conflict of seasons, as the air draws out its last strangled hot breath, to die in an icy whisper.
–My favourite time.
Finding Grace
Say Grace.
No, seriously. Speak it aloud.
Regardless of context, of religious connotations and concrete definitions, there’s an undeniable pleasant ring to Grace that has spanned centuries; like so many Old French-derived words, it has the crystal phonetics to retain a universal appeal.
Grace can be made synonymous with poise to describe physical movement; it can be the merciful pardon, willing to pass over another’s foibles. It can become the prayer uttered in the sight of one’s God before settling to a meal; the blessing of divine love, bestowed upon a religious following.
I was asked by James Prescott (@JamesPrescott77) what the word Grace means to me, on a personal level. This is my response.
I am not a religious person; nor do I pertain to be particularly secular in my belief system. As an agnostic, I’m open in opinion and mind to others’ theories and beliefs, but am personally not willing to tie myself to any one creed, having no basis on which to form a steady structure – to be honest, the only thing I’ve come to believe in and respect above all else, is Nature.
This encompasses life and death, the progress and process of what must be. It defines the very paradox of how we go about our lives, in our own time frames, on this planet that’s just another speck in the sky. I’m not willing to believe that this was made so in a completely random act, with no control; nor will I pin a sentient perspective to the fact we’re here, that others have come before and likely more will come in our stead. And when I say “others”, I mean lifeforms in general. We’re all bound up in this, one way or another.
The grace I find in nature, has much to do with its Give and Take attitude – if a living abstract could be assigned an attitude for a moment. Whatever the circumstance, the situation, the fact it’s for better or worse depends entirely on context, and the perspective of who/whatever’s on the receiving end.
A volcanic eruption spews forth ash clouds to blacken the sky, perhaps for months; plants can’t photosynthesize and crops die as a result, while water is tainted. Livestock and humans perish from the smothering heat of Nuées ardentes (“incandescent cloud” / “glowing avalanche”), with their scalding loads of pumice, viscous magma and ash. Pyroclastic flow can wipe out entire cities, as seen with Vesuvius and Pompeii. Icecaps melt, bringing lahars and landslips. That’s even before we get onto structural damage among local human habitations.
But the flipside is fertility, of both natural surroundings and local economy. Soil is enriched with the minerals brought from the heart of the planet. The flooding waters, once they’ve receded, may have deposited an unlikely treasure-trove of yet more minerals, and stones embedded with crystals – both to be sold for local commerce. Ancient civilizations, seemingly obliterated, can be learned from when the pyroclastic flow has cooled and set – a poignant message of the past, to illustrate the volcanic dangers for our future.
It’s this graceful and deadly Give and Take of nature that I adhere to – the closest I would come to aligning myself with a religion. I’ve found that it’s not something to follow; paganism and Druidism still felt too formulaic in my youth, for something that – on a very basic level – is just an appreciation and respect for one’s surroundings. The simple acts are, to me, equivalent of uttering and performing ritualistic prayer to return nature’s grace: Not dropping litter; keeping off of flourishing areas of new growth, or taking care to avoid trampling ancient rock formulations that are prone to erosion; climbing trees, without feeling the need to peel off bark or carve initials that leave a mark of oneself, which the tree itself couldn’t give a damn about and future generations of humans probably won’t either. That peeled bark exposes the tree’s flesh, drying it out. A branch can wither and die from this seemingly small act, taking nests down when it falls; cutting off life for those to come, arboreal and human.
Nature is deadly, sure. Seemingly merciless, sympathetic only to its own environmental needs and “cruel” whims. But it’s this continuous cycle that I find so appealing. It’s a grace defined by its own neutrality – the ability to regenerate life, inability to favour any one species, race, trend or ethos. Evolution and nature work hand in abstract hand, and if some fall by the wayside to keep the planet ticking over, that’s as it should be.
Dialing things down a bit –
When I was a child, I danced ballet. Grace, poise, elegance were words that ran a thread through the training that began when I lived in Germany. My father was stationed at the nearby RAF base, and my poor mother was left to deal with two daughters, 3 years apart in age and different as night and day. She was often exhausted by us, for individual reasons, and by our energy. I’m told I used to regularly make her cry, though not out of nastiness; just an inquisitive nature that somehow got me into the kind of scrapes to cause scrapes …And cuts, bruises, iron-burns, palms slit open on glass I’d mistaken for jewels…
She hit upon the idea of dance. Not only as a way of wearing me and my sister out, but to perhaps instill in us (well, me) a sense of decorum. I think perhaps she had the same misplaced mindset as many others – that ballet is for girls exclusively, can teach an appreciation for all things “girly.” At the tender age of four, I already had this idea in mind, and dragged my heels when brought to the first class.
(picture courtesy of Gudu Ngiseng Blog)
The funny thing is, the hard work it all turned out to be – routine training at the barre, with pointed toes, bend and flex of muscles, maintaining a perfect circle in a spin – appealed to my rough ‘n ready nature. It calmed my head, already full of white noise, and burned up that excessive energy. It was my sister who would drop out, citing boredom. I continued up to the age of nine, harbouring hopes of becoming a prima ballerina. A fall in school, a bad ankle sprain that still plagues me today, put paid to those dreams.
Still, I find that the training – so like the basic level all military personnel go through in their first three months – has stood me in good stead. It comes back to gift me in adult life. I walk tall, no matter what my mood; it’s second nature to pull my shoulders back, align my spine to the backs of my legs. I’ve won over potential employers with the simple fact I sit up straight, appearing alert even if my mind is wandering. It did get me into trouble on the inpatient unit though, where I spent several months for treatment of anorexia; staff mistook my seeming inability to relax as a “behaviour”. Context is a funny thing.
I’ll often practice old favourite moves, for the sheer pleasure of feeling how alive my body is. It’s a sensation never to be underestimated, the natural gift of feeling grace in one’s physicality. Whatever your own state, don’t let go of that appreciation of what your body is capable of. The time spent on that ward, I was stuck in a wheelchair for the first week, too underweight to be allowed to walk. There was a great risk of slipping into a coma, as my blood sugar had dropped to subnormal levels; not to mention what was going on with electrolytes, and my heart. Still, the muscles of my legs twitched and trembled with frantic energy, a burning desire to move. Adrenalin can keep an anorexic going for years. It was an itch I wasn’t permitted to scratch for long months. Progression from the chair, was slow – corridor-pacing, to snail-pace group walks under the impartial gaze of staff; and finally, oh God, heady freedom – walking alone around the sprawling grounds of the hospital, and thence to the nearby town.
I will never forget how long it took to relearn how to walk heel to toe. I’d had a punishing control of my stride for so long, it felt natural to push to the point of burnout, whatever the exercise. It was the greatest gift to stride again, unimpeded by staff or anorexia’s whip, with the natural grace and fluidity taught in those early ballet lessons, when we learned how to smile for the audience even while it felt like our backs and hearts were breaking.
In those formative early years when we returned to the UK from Germany, my grandmother became my confidante. She saw me for who I was – the middle child of three, feeling a bit left out because of the simple mechanics of there only being two parents (neither of which I could relate to as much as my siblings), with too much racing through her mind at once to keep her body still. I got into those scrapes, so she told me, because I didn’t have enough hands to accomplish all that I wanted to do at once.
She’s a live-wire herself, even in later years. But while I’ll only ever be an impatient git, her creed is to bring calm to those about her; to turn the other cheek, showing merciful grace however possible.
Not that she’ll hold her tongue where a scolding is needed. I learned early on that you can’t get a thing past her. Raised by her own grandmother, a Victorian lady of strong traditional values and family presence, my Nanna is a women of conviction. She believes in the good of others. No doubt she will have had cause to doubt this at certain points in her life. But she is a religious woman, upholding a quiet faith in God through childhood years of poverty in Tyneside; being made an orphan by age ten; motherhood with three children, and moving down South to follow my grandfather’s career at the observatory, Herstmonceux.
The great unknown has made up much of her life. Still, she bears it with a grace and dignity I’m forever fascinated and inspired by.
Now in her pale years, she lives with a sense of Self and gratitude for our family. Her ability to find peace when alone – she’s another introvert – was a comforting lesson to a child who felt odd for not being the socialite her sister was. Later, in adolescence and when the actions of my peers left me ashamed for them, her simple elegance was a reminder of who I was, to stay true to what I wanted to become. She’s always supported my writing, has provided a listening ear and ready wit when I needed a spirit-boost. There’s a hard-earned gravity in her words; she won’t say anything without cause, and to be honest some of my best memories of our time spent together, are the great wells of silence when we thought together.
I owe my Nanna a good deal, for providing the core values of appreciation and respect for others that seem to have evolved into empathy. Handy for writing, as well as dealing with the real world. Rather than resort to strong words and actions, we prefer to maintain dignity in the face of ugly manners and disrespect. That’s not to say I will back down, but there’s a need for control in such situations. Loss of it is letting your guard down; a discredit of grace.
It stands that, as an adult, I make my way through the world and fall back on what she has taught me. There are no answers to the questions begged in darkest moments – why people act the way they do, say the things they say, with a cruelty and love inherent of human nature. Some things are irrevocable, left hanging in the air. We’re a chaotic race; there will always be those who give, while others take. I feel that it’s in our best interests and in our power, to carefully govern the way we react to others. I’ll admit to having wished pain upon those who’ve hurt me in the past. I wouldn’t be human if I hadn’t at least entertained such vengeful ideas.
But all they afforded me were brief euphoric sunsets, before the chill nights of despair clawed back up.
Revenge is an easy path to follow, in comparison to the twisting way of merciful grace. There are roots that will twist and tangle about the feet, stones to unsettle every step. Time doesn’t heal, so much as numb certain wounds. I refuse to become another lost soul, wandering the world in a stupor of bitterness and dangling on the claws of one addiction after another. Been there, done that; believe me, the half-life was short indeed.
Grace to me, is being able to look upon the face of the abuser, the name-caller, the one who broke your heart and beat your face out of “love” – and to turn away, the stronger for leaving them to stew in their own weakness. To offer forgiveness, if it’s in your heart to do so – and if not, to leave without looking back. No regret, no guilt, no more acceptance of suffering or being made to feel the victim by those who still live in fear.
Grace is a byword for elegance and good manners, for respect of others and the world we inhabit together, for better or worse. It’s a means of walking upright, back straight and legs poised, ready to carry us beyond what we thought ourselves capable of.
Whatever your take on the word, don’t be afraid to uphold its truth. Whether offering prayer to your God, or extending mercy to one who has shown you none, remember it as being alike to the subtle truth behind the half-smile on a dancer’s face; one that tells the world, my life is my own.
You make it easier to be who I want to be
What does the end of a relationship feel like?
Unzipping a coat shared by two
Unpicking the seam stitching lives together
Finding ornaments, books, DVDs, games
Wondering what belongs to who
Interchangeable things, slapdash time
Standing in the bathroom staring at emptied shelves
A few hairs, flakes of makeup
Crying your face off at the sight of a solitary toothbrush
Feeling terrified and full of white sparks
Wondering if you can go it alone
Knowing you can (full of dark light)
Wiping your face off
Sniffling at the window ghost
Grin-grimacing at the sight of a year backflashing
A year and two
Three four five
2008 to now
Dialing down
A song, a phrase, a face pulled, giggling fits and scowls
Dagger-chin defiance, silence, shared look
Rum and beer, whiskey for hiccups
Lamplight haven and 3am stars
Field and park, mist and rain
Hike and kite, the plastic and the bird
Downs and Beacon, waiting
For friends facing each other as equals
Independence at last, so far behind peers
So far ahead in mind
So old
So young
Trying too hard to be heard, too hard to forget
Or remember what started it all
Random message
Tart reply 😉
Scared of the light
Living in the dark
Not alone with dreams
Knowing another breathspace
Heartbeat
Alone and together, gone and apart
Smile, fate, be brave
These are the days of Now
We were as then
I am that Is.
Still can’t find what keeps me here.
Never there. Never there. NEVER THERE.
So fucking empty. Who knows what’s real and what’s not, what’s past clawing back up the throat to sing the same barbed song again?
I want to help. I don’t see how I can, but I’ve been in that place, the black heart of the fire, the ice chamber, the cut-off zone where breath freezes in the lungs and no one hears you scream.
This girl is my sister’s partner’s little sister. She’s around the age I was when admitted to the inpatient unit, when the shit got real. The story is the same familiar routine, it makes me laugh and beg inside for something different, a change of scene, a shift in the script … Theatrical, creative, introvert, worrier, guilt-trip, frightened waif in the face of the world. Me, not me. Her, not her. Where do we start eating our own tails?
My older sister is going out of her mind with worry for this girl. As well she should; they all worry, but oh God they’re not afraid, as much as they should be. Terrified for her, when she goes out of the house for a powerwalk, after being made to eat three extra butterbeans on top of her fat-free tomato sauce. I know it so well, This path full of shattered glass, this clawing soul and dialed-down mind. That pain which can’t be articulated, except to wither the body down to a single point in time, when birth trauma is but one atom and you’re the next, into the grave.
It’s why my sister contacted me. Why she asks my advice, when I barely know how I’m still alive. Why I survived, and others didn’t. As I told her, it’s pot-luck. My body didn’t give out, when others did. Well, fuck me if fate doesn’t have a laugh coming on.
My head is so loud tonight. Not with old routines, not with that creeping daemon come to catch my eye and trap my mind again. Pity. Revulsion. Such deep-wading waters of sorrow, for another life taken by its foulness; for another child lost to her own darkness. For all we lost souls, wandering.
No one can save her but herself … and still, I hope to try. I hope to stop my own lamb screaming, if I can comfort hers.
And why the fuck should I care, why should I bother? Who wins in the end? The world gains one more human being back. Big deal. Too many of us as it is. I’m so tired of being here sometimes, it’s like staring into the blackest mirror and finding your eyes are the only reflection.
This pain is just too real.
In so little time, I have become a woman. In so many words and thoughts, I have learned love. Insofar as I know, I lost both in the space of a year. The lump in my chest grows larger, pains me more every day. I don’t know how much more I can take. Waiting lists are but one fact of life, with mosquito bites and politicians.
But I can’t not help, can’t turn my face away from the glaring fact that someone is, once again, tearing at my heart. Trying to gain my attention, when all I want to do most of the time, is disappear.
Why the fuck won’t the world let me go.
Because you’re not ready.
I was ready from the start.
You don’t know where beginnings end. I know you better than you think.
You don’t think; you feel, and steal away what I was owed.
You are owed, and owe the world nothing.
I am nothing.
You are nothing.
That makes us equal, at least.
So it goes. The song remains the same.
They need to fear it; they need to fear for her. Accept that she will die without intervention, that the chest pains won’t go away, that the food won’t magically disappear off her plate unless it’s into her hair, the flowerpot, the bin. Their family will tear itself apart with love and terror, and I see it all happening as a vainglorious parody of my life, ten years ago.
I can’t help as a professional. I can help as one from the other side.
That’s what this stupid thing called love is about, right. I’ve never met this girl, and I love her already, this tiny, frightened soul I know so well.
Daemons haven’t got shit on me. I will burn them.